Aug 10, 2023 | Dave Allison, Features, News & Notes
Could it be? Is he risen? The late master re-materializes before us, in the form of something resembling the Oracle of Delphi or Clown Prince at Olympus. Recorded circa 1995/1996, mostly in John Fahey’s room at a Salem, Oregon boarding-house, the performances...
Aug 8, 2023 | Dave Allison, Features, News & Notes
P.G. Six’s latest offering, Murmurs & Whispers, features lots of what you simply love about P.G. Six: songs sung from the heart and played with mostly acoustic instrumentation, intricate finger-picking patterns and expansive, spacious arrangements. As he has...
Aug 7, 2023 | Dave Allison, Features, News & Notes
Escorts is a nighttime record. It burns with the neon-seared complexion of a city wanderer, always moving with a funny sense that there is an unnamable fear lurking just off the horizon. City nights are fleeting, endlessly tumbling towards the disappointment of dawn....
Aug 4, 2023 | Dave Allison, Features, News & Notes
Last year’s YTI⅃AƎЯ is this year’s YTI⅃AƎЯ. The album came out ten months ago and we now have our first video. A video that feels like it gestated that long, that it needed to gestate that long to become what it is. There’s a lifetime portrayed in...
Aug 3, 2023 | Dave Allison, Features, News & Notes
History has shown that the greatest bands–bands with that certain, ever elusive quality called lasting power–neither conform to nor buck the trends of their time, but rather force the times to catch up to them. Sheer Mag has such lasting power in droves. After...
Aug 1, 2023 | Dave Allison, Features, Interviews, News & Notes
Far from sunny and bright, Fevr offers a unique brand of pure coldwave/newwave/post-punk with a heavy darkwave and darksynth influence, endearingly menacing synth work, callous and brooding vocals, stellar guitar and drum work, and deep, thought-provoking yet simply...
